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By Dennis Juma As Christmas holidays draw near, a clear winner has already emerged from the rich pool of festive tunes, “Kwani Hupangi Kuolewa?” by Salaton and Mluo. According to a statistical deep-dive into holiday listening trends, this song is poised to become the most replayed track in Ushago this festive season. The song’s opening chorus; “Masiku zinasonga, kwani haupangi kuolewa, Unazeeka, kwani haupangi kuolewa…” has struck a deep, humorous chord with many. It resonates particularly with those who are single and feeling the pressure from relatives and neighbors to find a life partner. The song plays on a universal holiday scenario: the moment you return home for Christmas without a “guest”, someone you’d be expected to introduce, eyebrows raise and questions fly mostly if the subject in question is ageing. Some might find the song’s lyrics a bit piercing, a literal reflection of societal pressure to settle down, but its delivery is blended with humor and education. The artists have cleverly addressed a delicate subject in a lighthearted way, adding a comic twist to a very real social experience. As the song reverberates through homesteads and local hangouts, it highlights the communal curiosity, or sometimes outright pressure placed on marriageable singles during the holiday season. The chorus, now a meme in its own right, underscores a shared feeling many faces when relatives ask, “Kwani hupangi kuolewa?” — a question that, while meant to be affectionate, carries a dramatic weight for many. With its infectious rhythm, humorous delivery, and culturally rich narrative, “Kwani Hupangi Kuolewa?” is poised to become the festive soundtrack of Ushago this Christmas, offering a perfect blend of entertainment and a clever mirror to society’s traditions and expectations.

By Dennis Juma A month after its release, “Smokie Pasua” a Teslah’s collaboration with Bensoul, is proving to be a remarkable success story, captivating audiences and strengthening Teslah’s growing reputation in the industry. The song has already crossed 400,000 streams across all platforms, reflecting its strong appeal and sustained popularity. YouTube has taken the lead, with 200,000 views;averaging nearly 6,670 streams per day. A clear indicator of the song’s ability to connect with a wide and enthusiastic audience. On Spotify, “Smokie Pasua” has accumulated 39,000 streams, averaging about 1,000 plays daily, further underscoring its strong performance and growing reach. Compared to Teslah’s previous projects, “Smokie Pasua” stands out for its remarkable growth and warm reception from fans. The combination of Teslah’s soulful delivery and Bensoul’s musical prowess has struck a chord with many, adding a rich and infectious piece to her catalogue — a song that promises to remain a favourite for a long time. Nevertheless, for those already listening, “Smokie Pasua” is a testament to Teslah’s artistry, creativity, and ability to produce a song that resonates profoundly with her growing fan base.

The airwaves are buzzing with the confident sounds of “Tuko Zone,” a fresh track from the dynamic trio of Josephyl, Cjay Slim, and Mtipa. This new release is a powerful blend of rhythmic beats and assertive lyrics, immediately grabbing attention with its strong and unwavering energy. The song’s title, “Tuko Zone,” hints at a specific state of mind or being, a theme that resonates throughout the track. “Tuko Zone” is rich with Swahili phrases and slang, painting a vivid picture of street life and the importance of loyalty. The artists delve into themes of being on a “mission,” navigating the complexities of relationships, and dealing with “snitches” with unwavering resolve. The recurring phrases, such as “tuko zone” and “mambo si ndio zile,” reinforce the song’s central message of staying true to oneself and one’s crew, maintaining a tough persona amidst life’s challenges. The collaboration between Josephyl, Cjay Slim, and Mtipa results in a track that is both captivating and assertive. The artists’ confident delivery and the song’s infectious rhythm create an atmosphere of self-assuredness and resilience. “Tuko Zone” is more than just a song; it’s a declaration of strength, loyalty, and the unwavering spirit of the streets.

In an exciting development for music enthusiasts seeking a touch of serenity, Janny Boy has just unveiled a compelling new EP titled “Lala Salama”. Released on June 13, 2025, this collection arrives as a fresh beacon of melodic artistry, promising to captivate audiences with its tranquil yet engaging sound. “Lala Salama,” which translates to “sleep peacefully,” embodies its title through a carefully curated selection of tracks designed to soothe and inspire. The EP features six distinct pieces, each contributing to a cohesive and immersive listening experience. From the inviting embrace of “Ni Wewe” to the playful rhythms of “Cinderella” featuring 16 Barz, Janny Boy demonstrates a versatile approach to his craft. The journey continues with the reflective “Me Na We,” the celebratory “Cele,” the heartfelt “Love You,” and concludes with the intriguing “Thororoka.” This diverse tracklist ensures that listeners are taken on a nuanced emotional voyage, providing moments of both calm reflection and gentle upliftment. As listeners navigate the complexities of daily life, “Lala Salama” offers a much-needed sanctuary. Janny Boy’s evocative melodies and thoughtful compositions provide a perfect backdrop for unwinding, introspection, or simply enjoying moments of peace. This EP is more than just a collection of songs; it’s an invitation to pause, breathe, and find comfort in the beauty of sound. “Lala Salama” is now available across all major digital streaming platforms, poised to become a cherished addition to playlists worldwide. https://blackmarket.lnk.to/lalasalama

By Dennis Juma Joefes is back. This time, flying solo and letting his artistry take center stage with “Sabina Joy.” The track drops alongside a vibrant visualizer, adding a rich, cinematic layer to the song’s already infectious energy. “Sabina Joy” isn’t your typical party song. It’s a clever blend of deep lyricism and feel-good rhythms. A perfect match for a bustling matatu ride, a wild weekend in the clubs, or a chill session at home. The song finds Joefes reflecting on his lifestyle, and happiness, delivering his messages through rich metaphors and a delivery that feels more like pure poetry than simple entertainment. The song’s opening, “Sijalipa rent na sina kichere, Leta mnganazi ongeza mchele, Nizime nipunguze stress…” immediately draws you into a world where struggles and pleasures collide. It’s a testament to his ability to celebrate life’s small wins, letting stress fade away in the face of a good time. As the track evolves, Joefes drops clever lines filled with humor, confidence, and raw authenticity. His flow highlights a deep understanding of his surroundings and culture. From “Mi simind kesho, huniguzi bila dooh” to “Chizi Joe huwa chizi”; reflecting a man who finds happiness on his own terms and disregards negativity from outside. The chorus underscores the song’s carefree and celebratory mood: “Mi simind kesho, huniguzi bila dooh, Sibina niko na joy…” It’s a mantra for anyone choosing happiness over negativity, a powerful message masked in a rich, party-ready delivery. Produced with a bouncing, Gengetone-centric rhythm, “Sabina Joy” is a perfect blend of artistry and entertainment. A song made for those who appreciate clever writing, infectious vibes, and pure expression. With its deep, thoughtful messages woven into a rich, soulful flow, “Sabina Joy” underscores Joefes’ ability to connect with people through his art, proving once again that when it comes to making pure, unapologetic Kenyan bangers, Joe is in a league of his own. https://youtu.be/KffSwPSd5Q0

By Dennis Juma Nairobi’s vibrant music scene is buzzing once again, this time thanks to Cjay Slim’s latest release, “Kijana Ya Nairobi.” The track, a collaboration featuring Kinamics, Mondyy, and Jay Alpha, is a rich blend of infectious rhythms, clever wordplay, and raw, local flavor — a perfect snapshot of youthful love and city life in Kenya’s bustling capital. The song’s narrative is a love story from the streets of Nairobi, filled with charming confidence and a deep, soulful groove. Cjay Slim expresses his affection for a woman who captivates him; “My dear huoni Niko lonely, Niko low-key na ma beer”. A clever combination of vulnerability and bravado. His delivery highlights a young man’s quest for love in a fast-paced city. Kinamics, Mondyy, and Jay Alpha add their unique perspectives, making the song a rich collaboration that resonates with Nairobi’s youth. The artists celebrate their surroundings, relationships, and lifestyle, turning their stories into a universal feeling, the feeling of being young, ambitious, and in love. The song drops alongside a single animated visualizer, adding a vibrant, cinematic touch to its release. The video, although simple, effectively brings the song’s mood to life. A perfect match for its soulful, rhythmic flow. Produced with a fresh, Afro-pop style, “Kijana Ya Nairobi” is a must-listen for fans of Kenyan urban music. Cjay Slim and his collaborators have delivered a track that not only entertains but also encapsulates the spirit of a generation making its mark on the world. https://youtu.be/-JH-ODQPaCI

The East African music scene is once again buzzing with infectious energy as Mr. Kagame, famously known as “Mr. High Five” from Rwanda, unleashes the much-anticipated dance video for his feature track, “Okay,” alongside Kenya’s very own “The Kenyan Boy,” Masauti. This dynamic collaboration is proving to be far more than just a song; it’s an immersive experience, a vibrant fusion of cultures, languages, and irresistible vibes that effortlessly defies borders. While the audio for “Okay” has been making waves across digital streaming platforms for a while now, captivating playlists and blowing speakers across the region, the newly released dance video adds an entirely new dimension. Shot amidst the bustling and spirited streets of Nairobi, the visual accompaniment is a celebration of pure, unadulterated enjoyment. It showcases dancers moving fluidly, both in pairs and individually, perfectly encapsulating the track’s infectious joy. Although Masauti doesn’t feature in the dance video, Mr. Kagame was notably present during the shoot, adding his charismatic presence to the vibrant street scenes. Fans are now eagerly awaiting the full official music video, promising an even deeper dive into the song’s narrative. “Okay” is a testament to an undeniably organic chemistry between the two artists. From the very first beat, listeners are treated to a seamless marriage of Masauti’s smooth, captivating Swahili melodies and Mr. Kagame’s energetic, Kinyarwanda-infused bars. This isn’t just music; it’s a testament to musical alchemy, where two distinct talents react effortlessly to create something truly magical. The production of “Okay” is both slick and vibrant, layering classic Afrobeat rhythms with a delightful sprinkle of Bongo Flava and a distinctive dash of Rwandan bounce. The result is a sound that is incredibly fresh and dynamic, boasting an off-the-charts replay value. “Okay” is here to bless your playlists and blow your speakers, solidifying its place as a quintessential East African anthem.

By Dennis Juma In a powerful new release titled “Eastleigh”, Mtipa brings the vibrant streets of 020-Eastlando to life, representing his hood to the fullest. Just like any other ghetto, Eastleigh has its own unique stories; a rich blend of struggles, hustling, culture, and hope, and Mtipa is here to tell it all. Known for its bustling businesses and genuine products, ranging from fashion and cosmetics to smartphones and accessories, Eastleigh stands as a powerful hub within Nairobi’s cityscape. It’s a place full of opportunity and character, often misunderstood by outsiders but deeply valued by those who call it home. In “Eastleigh”, Mtipa pulls back the curtain to show us the side of Nairobi that’s rarely in the limelight. His song highlights not only the daily struggles of the people in this community but also their entrepreneurial spirit and ability to flourish against all odds. The new release comes with a studio-based visualizer, adding an intimate and raw touch to the song’s delivery. The video underscores Mtipa’s deep connection to his roots and brings viewers directly into the soul of Eastleigh. Its stories, its style, and its future. With “Eastleigh”, Mtipa isn’t just dropping another track; he’s honoring a community that plays a huge role in shaping Nairobi’s rich culture. It’s a proud representation. A love letter to home — that resonates far beyond its borders.

In the dynamic and ever-evolving music scene, versatility is a prized asset. This rings especially true for Clamer, a name primarily recognized for his prowess behind the production board. However, his latest offering, “Banana,” sees him stepping confidently into the vocal booth, showcasing impressive rapping skills that have caught many by surprise. Teaming up with the energetic and multi-talented Joefes, “Banana” is more than just a song; it’s a flirtatious, high-energy dance anthem poised to dominate playlists. “Banana” immediately establishes itself as a track designed for movement. It’s an invitation to the dance floor, characterized by its infectious rhythm and playful lyrics that celebrate the art of dance and allure. The chorus, with its catchy Swahili lines like “Drop low alafu wine up vile una dance me nataka ku tap vile una du roho iko ju mtoto unachanganya vijana apa ndani,” perfectly encapsulates the song’s vibrant and engaging spirit. It speaks to the mesmerizing effect of captivating dance moves, a common theme in contemporary African dance music. Joefes, known for his vigor and lyrical dexterity, complements Clamer’s newfound vocal delivery seamlessly. Together, they create a synergy that elevates the track, making it a compelling listen. The verses, laden with vivid imagery and local slang, paint a picture of admiration for confident dancers, adding a layer of playful sophistication to the track. Lines such as “Manifestinga girli ako fiti ki majestica Terry wambo na akina shiko they representing for majestica” ground the song in relatable cultural references while maintaining its universal appeal as a dance floor filler. “Banana” is now available on all major digital streaming platforms, ready to bring its unique blend of rhythmic energy and flirtatious charm to audiences worldwide. https://blackmarket.lnk.to/banana

Music, in its purest form, serves as an unparalleled conduit for emotion, a universal language capable of capturing the essence of an era, a feeling, or indeed, the profound legacy of a leader. It is this powerful characteristic that underscores the recent, poignant collaboration between Zambian artist Marck Don and Kenya’s very own “One Legge” hitmaker, Heavy Cane. Together, they have crafted a heartfelt musical homage titled “Tribute To Edgar Lungu,” dedicated to the former President of Zambia, whose passing has resonated deeply across his nation and beyond. The death of Edgar Lungu, who led Zambia from 2015 to 2021, at the age of 68 last Thursday sent ripples of genuine grief throughout Zambia. Radio stations across the country embraced a somber tone, filling the airwaves with gospel music as the nation collectively mourned a figure who, despite being barred from contesting next year’s election, had remained profoundly influential in Zambian politics. In response to this palpable sense of loss, Marck Don and Heavy Cane have channeled collective sentiment into a powerful artistic expression, creating a song that offers solace and remembrance. “Tribute To Edgar Lungu” is a cross-border dialogue of respect and unity. The collaboration between the Zambian artist and the renowned Kenyan hitmaker creates a unique fusion of musical styles, blending soulful melodies with impactful rap verses to weave a narrative of appreciation for the late president. The accompanying music video, currently captivating audiences on YouTube and racking up impressive numbers, was thoughtfully shot in Kenya at the Black Market Records studios. It features a moving tableau of fans raising national flags, symbolizing togetherness and shared respect as the artists deliver their heartfelt lyrics. This masterpiece is designed to captivate from start to finish, possessing an undeniable emotional resonance that critics and early viewers note can bring tears to the eyes. The visual storytelling, combined with the profound lyrics, offers a compelling experience for anyone seeking to understand the impact of President Lungu’s legacy and the collective outpouring of grief and admiration. For those seeking to connect with this powerful artistic tribute, “Tribute To Edgar Lungu” by Marck Don and Heavy Cane is now readily available on all digital streaming platforms, with the compelling music video accessible on YouTube. https://youtu.be/kFlRhQae7rk

Prepare to hit that replay button because the musical event we’ve all been eagerly awaiting has finally arrived! East Africa’s lyrical titans—Mr. Kagame, famously known as Mr. High Five from Rwanda, and Masauti, Kenya’s cherished “The Kenyan Boy”—recently dropped their much-anticipated collaboration. Titled “Okay,” this track is far more than just a song; it’s an immersive experience, a vibrant fusion of cultures, languages, and irresistible vibes that promises to defy borders and shatter expectations. The audio, now readily available on all major streaming platforms, is already sending exhilarating shockwaves throughout the East African music landscape. From the very first beat, “Okay” delivers a masterful blend that showcases the unique strengths of both artists. Masauti’s signature smooth Swahili melodies effortlessly intertwine with the energetic, Kinyarwanda-infused bars of Mr. Kagame. Their chemistry is undeniably organic, flowing with a natural synergy akin to elements reacting flawlessly in a formula only the universe could truly design. The production of “Okay” is nothing short of slick and vibrant, meticulously layering infectious Afrobeat rhythms with a subtle sprinkle of Bongo and an unmistakable dash of Rwandan bounce. The result is a sound that is both fresh and dynamically engaging, ensuring that one listen is simply never enough. Beyond the captivating beats, the lyrics are pure poetry—ranging from soulful declarations of love and loyalty to infectious hooks that inherently demand a sing-along. Both Kagame and Masauti prove they are not just vocalists; they are profound storytellers, masterful mood-setters, and above all, true masters of their craft. So, plug in, press play, and let Mr. High Five and The Kenyan Boy quench your musical thirst. East Africa has definitively spoken, and it’s saying “Okay” has never sounded this exceptionally good. And for all you groove enthusiasts, stay tuned, because the official dance video is set to drop soon, ready to get your bodies moving! https://youtu.be/V3QrjbYG6sE

Following the success of his previous release Okay, which continues to do relatively well on streaming platforms, DJ Moon is back with another energetic banger that’s set to shake the Gengetone scene. His latest track, Katerina, is a high-octane anthem that delves into the dynamics of a fast-living, city girl — the kind you meet in Nairobi’s buzzing nightlife and never forget. Bringing together two Gengetone heavyweights; Unspoken Salaton and Joefes, DJ Moon has once again proven his knack for blending talent, rhythm, and street narrative into a track that speaks to Kenya’s vibrant youth culture. Katerina is more than just a song; it’s a story, a vibe, and a groove all wrapped into one. From the moment the beat drops, Katerina hits hard with punchy drums, a pulsating bassline, and that unmistakable raw energy Gengetone is known for. Unspoken Salaton brings his signature lyrical fire, while Joefes adds his cheeky flair and unmistakable charisma to the track. Together, they create a soundscape that is both gritty and infectious. Katerina, out now on YouTube, is a testament to DJ Moon’s growth as an all-rounded artist. He knows what moves the crowd, what trends on the street, and most importantly, what resonates with the Gen Z audience. The brand new music video, shot by Chemy, compliments the musical flow the guys bring to your screen. The song’s storyline centered on an enigmatic urban beauty who leaves men in her wake, taps into the modern Nairobi experience, making it instantly relatable. With every release, DJ Moon solidifies his place not just behind the decks, but in the hearts of Gengetone lovers across Kenya and beyond. And with Katerina already turning heads on digital platforms and making rounds in matatus and clubs, it’s safe to say DJ Moon’s star is only getting brighter. https://youtu.be/GZG5N4CgP5E?si=OcdUwkr-pd-_oG40