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Hold onto your hats, music lovers! Mtipa and Juju have just dropped a bomb on the music scene with their new track, “Goalkeeper.” This ain’t your average love song; it’s a high-octane banger that’s gonna have you bouncing off the walls! Right from the first beat, the energy is palpable. Mtipa and Juju are flexing their lyrical muscles, trading bars that are as smooth as silk and as sharp as a razor. They’re complimenting each other’s lines, creating a seamless flow that’s both infectious and impressive. The guys rap: Umeni Maliza yani Usha nifika gousperms Feelings tukidunda apo chini Kukupenda ndio ime fanya nikue victim Sijui ni akili Usha mess my system Body ka rose Aaah nsha kua host Alafu back it up baby show me what you gat Deam your hot dem ting main soft Na kile tunafanya uku ndani kume chacha Niki malinate tunaifanya very late Mahaga wetete zinabiringishaa the bed Adabu Asha ipata nayo nsha tangaza Kwanza anaitwa wanja na alikua wetu kiranja Chorus Such slomo ka movie ya kihindi Ana mastingo zake si ni mingi Such slomo ka movie ya kihindi Ana mastingo ana mastingl The lyrics are bold, unapologetic, and dripping with swagger. They’re talking about love, lust, and the undeniable chemistry they share. There’s a playful back-and-forth, a hint of playful rivalry, and a whole lot of confidence. And let’s not forget the chorus – it’s a catchy earworm that’s gonna be stuck in your head for days. “Goalkeeper” is a song that demands to be heard. It’s a reminder that music can be fun, raw, and unapologetically real. So, get ready to move your body, crank up the volume, and let Mtipa and Juju take you on a musical journey that’s guaranteed to leave you wanting more. https://blackmarket.lnk.to/goalkeeper

By Dennis Juma After months of musical silence and swirling rumors that he might have bid the game farewell, Exray Taniua, popularly known for the Gengetone anthem Sipangwingwi, has made an explosive return and this time, he’s gone cross-border. Turns out, while fans were speculating about a possible early retirement, Exray was deep in the studio, cooking up an international collaboration with none other than Martha Mukisa – ¬¬Uganda’s reigning queen of dancehall. The result? A sizzling new single titled Come, and trust us, it’s a masterpiece. Both Exray and Martha are household names across East Africa, each carrying massive fanbases and signature sounds. So, you might be asking, how does Gengetone meet Dancehall? Well, here’s the sauce: Gengetone is one of the most adaptable sounds in the African music scene. Whether it’s fusing with drill, afrobeat, or now dancehall, the genre continues to evolve, and Exray proves once again that he’s not just a Gengetone hitmaker, but a jack of all genres. On the flip side, Martha Mukisa brings her seductive charm, fierce vocals, and unapologetic energy. Her hypersexual lyricism is magnetic, leaving listeners hooked and fantasizing after every line. And on Come, she doesn’t disappoint. Come is flirty, danceable, and addictive the kind of track you play once and find yourself hitting repeat before it ends. The chemistry between Exray and Martha is undeniable, their delivery bold, and the beat… absolutely fire. You’ve been waiting for a track to shake up your playlist? This is it. Stream it now, and thank us later.

Forget everything you think you know about record labels. Black Market Records is a force unlike any other, a sonic storm brewing in Nairobi and shaking the music world to its core. Founded way back in 1989, this label is about building a community, a movement. From the pulsating beats of Gengetone to the fiery rhythms of Reggaeton, Black Market Records is a melting pot of musical innovation. They’ve got artists from Kenya, Uganda, Ghana, Cuba, and beyond, all united by a shared passion for pushing boundaries and creating music that moves you. But Black Market Records isn’t just about the music. They’re a full-service operation, offering everything from mixing and mastering to film and video production, marketing, and even business consulting. It’s a one-stop shop for artists looking to take their careers to the next level. Their YouTube channel is a treasure trove of music videos, studio sessions, and behind-the-scenes glimpses into the label’s vibrant world. With over 309,000 subscribers, they’ve clearly captured the hearts and ears of a global audience. And then there are the artists. Exray Taniua, Neliah, Johnny Benzx, Joefes, Fidel Rayd, Iphoolish – these are just a few of the names that have become synonymous with Black Market Records’ groundbreaking sound. They’re the future of music, and Black Market Records is the platform that’s launching them to stardom. So, if you’re looking for music that’s fresh, exciting, and undeniably real, look no further than Black Market Records. They’re not just a label, they’re a movement. And they’re just getting started. https://www.youtube.com/@blackmarketrecords

Daddy Andre and Neliah just dropped a new banger, “Oops,” and it’s already setting the internet on fire! This collaboration is a first for the two artists, and it’s clear they’ve created something special. The music video, directed by Mickie Dad, is shot in Nairobi, Kenya, and it’s a visual feast. The colors are vibrant, the shots are stunning, and the visual effects are next level. The music video is full of beautiful women, and they complement the song’s vibe perfectly. They’re all about that “Oops” energy, and they’re definitely giving us some serious dance moves. The song itself is a catchy, upbeat track that will have you moving your body in no time. The lyrics are playful and seductive, and Daddy Andre’s signature sound is on full display. But the real star of the show is Neliah. She’s absolutely owning it, and her vocals are on point. Her voice is smooth and sultry, and she delivers the lyrics with such confidence and charisma. If you’re looking for a new song to add to your playlist, “Oops” is definitely worth checking out. And if you’re looking for a visual treat, the music video is a must-see. Head over to YouTube and watch the music video for “Oops” right now! You won’t regret it. https://youtu.be/FuPyp2sZbuU?si=viC58OHXCBVS1Nq7

By Dennis Juma “Tiktak nimechanganishwa na huyu madam, Tiktak vile napeleka vitu wagwan…” If you’re a true Gengetone head, you already know these lyrics by heart. Simple, catchy, and straight to the point that’s what creativity looks like in the streets. And the brain behind this earworm? None other than Mtipa, the newest kid on the Gengetone block, and he’s coming in hot! Just a few weeks ago, Mtipa dropped his debut solo track TikTak, and let’s just say, the streets have been feeling the heat. From matatu playlists to TikTok challenges and club rotations, TikTak is doing serious magic. It’s the kind of jam that sticks with your raw vibes, relatable lyrics, and a beat that demands a replay. But guess what? That was just the beginning. Mtipa is already cooking up something new for his growing fanbase. Word on the street is he’s about to unleash another solo club banger titled Goalkeeper and if TikTak is anything to go by, this next track is going to cause a proper gust in the Gengetone scene. For a newcomer, Mtipa has mastered the formula: give the people what they want unfiltered energy, street lingo, and infectious hooks. And he’s doing it effortlessly. It’s no wonder fans are already warming their seats, waiting for the next drop like it’s a season finale. So, if you haven’t jumped on the wave yet, this is your cue. Stream TikTak, vibe with it, and get ready because when Goalkeeper drops, Gengetone will never be the same again.

By Dennis Juma When it comes to music, dance moves are more than just a bonus; they’re a whole vibe. They have the power to pull you to your feet, make you replay a song, and even turn a casual listener into a loyal fan. While not all artists fully tap into this powerful element, one artist who clearly gets it is none other than Heavy Cane. If you’re a fan, you already know what this artist brings to the table and if you’re just discovering him, welcome to the party. Heavy Cane doesn’t just make music; he creates a full experience. After dropping the visualizer for his buzzing track “Mwache,” most artists would’ve stopped there. But not Heavy Cane. For him, the visualizer was just the beginning. In a move that thrilled his fanbase, he followed up with a full-blown dance video to accompany Mwache. And we’re not talking about any basic routine. we’re talking high-energy, foot-tapping, body-swaying moves that perfectly complement the rhythm and message of the song. The choreography doesn’t just elevate the track it brings it to life in a whole new way. This thoughtful gesture is a testament to how much Heavy Cane values his fans. He’s not just releasing music; he’s curating a connection, an experience that fans can see, feel, and dance to. It’s no wonder that his supporters are growing by the day. With Mwache now having both a visualizer and a dance video, Heavy Cane has proven that he’s an artist who goes above and beyond. The message is clear; if you’re riding with Heavy Cane, expect nothing but the best. So, if you haven’t already, go check out the dance video for Mwache, and don’t be surprised if you find yourself dancing along. Because with Heavy Cane, every beat counts and every move matters.

Kenyan artist iPhoolish has released the dance video for his latest track, “Siendi Home,” featuring Dyana Cods and TikTokers Diaso & Rahmu. The video, following the same style as his previous release “Moss Moss,” showcases three dancers gracefully moving to the song’s infectious rhythm. “Siendi Home” is a party anthem that captures the feeling of wanting to stay out all night and enjoy the company of friends. iPhoolish and his collaborators sing about how they don’t want to go home because it’s time to party, and the lyrics are filled with playful references to a good time. The song features a catchy chorus that is sure to get stuck in your head, and the rap verses are delivered flawlessly with a smooth flow. The dancers complement the music with their elegant movements, perfectly capturing the energy and spirit of the song. If you’re looking for a new track to add to your party playlist, “Siendi Home” is a great choice. The dance video is available on YouTube, and fans are eagerly awaiting more from iPhoolish, including a full music video for the song.

By Dennis Juma Afrobeats has an undeniable energy that resonates globally, often compelling listeners to move regardless of their circumstances. Emerging Nigerian artist Johnny Benzx exemplifies this vibrancy with his latest track, My Baby. The song’s infectious rhythm and heartfelt lyrics have struck a chord with audiences both locally and internationally. In under two months since its release, My Baby has garnered significant attention across various platforms, amassing close to half a million views on YouTube alone. This rapid rise in popularity underscores the song’s widespread appeal and Johnny Benzx’s growing influence in the music scene. For Johnny Benzx, an up-and-coming artist, this achievement marks a pivotal milestone in his burgeoning career. Often regarded as a “sleeping giant,” he has awakened to showcase his musical prowess, capturing the hearts of fans worldwide. My Baby stands as a testament to the universal allure of Afrobeats and Johnny Benzx’s exceptional talent. As the song continues to gain momentum, it solidifies his position as a noteworthy artist to watch in the evolving landscape of African music https://www.youtube.com/watch?v=aaZNqXriT74In

By Dennis Juma In the realm of high-energy rap infused with witty, tongue-twisting rhymes, Joefes has solidified his status as one of the most creative minds in the Kenyan music industry. His latest release, Rigathi, is a testament to his unique ability to blend contextually rich yet playfully nonsensical bars into a track that captivates listeners. Joefes has long been recognized for his distinctive rap style, where he effortlessly strings together phrases that challenge both the listener’s ear and their understanding of rap lyricism. In Rigathi, he once again showcases his dexterity, spitting rapid-fire bars that demand attention and appreciation. This track further proves his prowess in delivering rhythmic tongue-twisters, a signature style that keeps fans engaged and entertained. What sets Rigathi apart is not just Joefes’ lyrical wizardry but also the powerful collaboration with Unspoken Salaton. Their synergy on this track creates an electrifying musical experience, where their verses complement each other seamlessly. The duo operates as a binary force, delivering a compelling fusion of flows that keep the audience hooked from start to finish. Beyond the lyrical complexity, Rigathi is also gaining significant traction on YouTube, with fans quickly gravitating towards its infectious energy and thought-provoking wordplay. The track’s production, combined with Joefes’ and Unspoken Salaton’s dynamic delivery, cements it as a must-listen for anyone who appreciates innovative rap artistry. While Joefes’ wordplay may challenge those unfamiliar with intricate rap techniques, those who understand the depth of his artistry will recognize Rigathi as yet another jewel in his growing discography. Whether you’re a seasoned hip-hop enthusiast or a casual listener, this track offers a unique experience that showcases the boundless creativity of Kenyan rap. With Rigathi, Joefes continues to push the boundaries of lyrical ingenuity, proving why he remains one of the most compelling voices in the industry today. If you haven’t yet tuned in, now is the time to experience this musical masterpiece.

Paisleey’s highly anticipated EP, “I JUST MIGHT,” is finally here, and it’s a captivating exploration of the complexities of love and heartbreak. The seven-track project, available on YouTube and all digital streaming platforms, takes listeners on an emotional rollercoaster inspired by Paisleey’s own experiences. From the vulnerable opening track “Don’t Love Me” to the empowering anthem “New Man,” Paisleey navigates the highs and lows of relationships with raw honesty and relatable lyrics. Each song offers a unique perspective, whether it’s the fear of vulnerability in “Don’t Love Me” or the comforting embrace of love in “African Girl.” “I JUST MIGHT” is more than just a collection of songs; it’s a narrative that resonates deeply with anyone who has experienced the trials and tribulations of love. Paisleey’s artistry shines through in her ability to capture the emotional weight of each stage of a relationship, from the initial fear of opening up to the bittersweet pain of letting go. With its captivating storytelling and relatable themes, “I JUST MIGHT” is a must-listen for anyone seeking a heartfelt musical journey. Don’t miss out on experiencing this powerful collection of songs – stream “I JUST MIGHT” now!